Tuesday, April 27, 2010

Tuesday, April 20, 2010

Northern Ireland: A Brief History


A great site for the History of the Conflict in Northern Ireland click HERE.

This week I decided to further explore the background and political context of Breakfast on Pluto. I will be discussing brief history of Northern Ireland; and specifically The Troubles. The history of Northern Ireland can be traced back to the 17th Century (When Ireland was essentially a British colony). During this period the English succeeded in putting down a number of rebellions (most notably The Battle of Boyne). After this ,much of the land in the northern part of the island was colonized by Scottish and British Protestants...this setting it apart from the rest of the Island (being predominately Catholic).

During the 1800s the North and South began to experience numerous differences. In the North, industrialization and manufacturing flourished. In the South, however, there was a great inequality in the distribution of land, wealth and resources. Anglican Protestants owned and managed much of the land. There was a low standard of living for Irish Catholics. Catholics had many grievances including not having the right to vote, own land, get an education as well as hold office. These horrible civil rights were due to the Penal Laws. It was during this time a template was set for a long history (a continuation) of animosity and violence between the Irish, Anglo-Irish and British. The mistreatment of Catholics has been an ancient wound for the Irish. So much so that and Catholicism and Protestantism have become a center for a struggle to find identity. For example, Roman Catholicism has become synonymous with what it is to be Irish, subsequently Protestantism is to being British or Anglo-Irsh. The clash between religions is not so much a war between religion, but more so identity.

This suppression of not just the Catholic faith, but of native born Irish that still is an underlining importance to the tensions and conflict of today. The Republicans as well as the Unionists are predominately Catholic because it seems that particular religion has become somewhat part of an identity of being "Irish". The same goes for the scottish, british descended Anglo-Irish and Protestantism. Therefore, when looking deeper behind the original labeling of religious majorities who battle for territory, a war over identity and ownership rights can be seen laying beneath.

Before the Act of Union (1801), Ireland had been in a personal union with Great Britain. The British had essentially colonized Ireland and exploited it for the expansion of its empire. After subduing yet another Irish uprising, the British and Irish parliaments passed the Act of Union, which officially made Ireland a part of the United Kingdom. This really did nothing in appeasing what the Irish had been fighting for for centuries: Independence. It did, however, give Ireland more rights within the Union and later Catholics were given more civil rights (Catholic Emancipation 1840).




There is a division between and with expressions of two political groups: Republicans and Loyalists. To fully understand the conflict and tension in Northern Ireland, one must journey down what would seem to be a an enormously long timeline. A good starting point for considering the history would be shortly after WWII ended.

After WWII, Northern Ireland remained apart of the United Kingdom and did not follow The Republic of Ireland in independence. This is primarily due to the large population of Anglo-Irish that still feel ties to Great Britain. Aside from the long turbulent history of Ireland and the United Kingdom, this creation of a separate N. Ireland only fueled ancient wounds (as well as creating new problems) and made tensions escalate (Troubles p.1).

Like previously stated, Northern Ireland is essentially made up of two communities. The nationalist community consists of people who are more loyal to Ireland, desire a "United Ireland" (where N. Ireland secedes from the United Kingdom), and are predominately Roman Catholic and Republicans. The unionist community consists of people who feel a certain loyalty or connection to the United Kingdom and therefore wish to remain a part of it. This group has many Anglo-Irish Protestants and Loyalists. The tensions between these two groups escalated in a period called The Troubles.

The Troubles lasted primarily between the late 1960's and 1998. During this time, reoccurring acts of intense violence sparked between the loyalists and unionists. Over three decades, around 3,200 people were killed. Much of the violence was incurred by paramilitary group campaigns, such as the Provisional Irish Republican Army (IRA) 1996-1997. The IRA intended to "rid" Ireland of British rule and unify Ireland into one state (Troubles 2).



A key event to the escalation of The Troubles was Bloody Sunday. Bloody Sunday took place on January 30, 1972 in Derry Ireland. During a Northern Ireland Civil Rights Association march, 27 civil rights protestors were shot by the British military. This was important because it was seen by a national and international media. For over thirty years, the IRA carried out numerous paramilitary campaigns in the name of unifying the entire Island. This is due to the belief that the entire Island belongs to what they consider to be a "United Ireland". The heated conflict lasted until 1998, when an uneasy treaty was signed: the Belfast Agreement or "Good Friday Agreement". This agreement solidified N. Ireland as a part of the UK. Much happened constitutionally in both Irelands and England that helped to ease tension.

One of the most important things is that people who are born in Northern Ireland automatically have dual citizenship with Ireland and the UK (or can choose one or the other). The clash between Catholics and Protestants is not merely a battle over religion but rather one of identity. Identity is an issue that still prominent in Northern Ireland today. Despite the cease fires and the disbanding of the IRA (in 2005), political and ethnic tensions still can run high To this day opinions are split as to how the IRA is perceived. To some they are terrorists and to others they are freedom fighters. Even though tensions still are high in Northern Ireland there is hope that a lasting peace as been planted and will grow stronger.


Thursday, April 15, 2010

Online Artifact: Murals in N. Ireland

A great site on murals in Northern Ireland is: CAIN WEB SERVICE
My Online Artifacts are these videos, links and article. The article can be accessed HERE




Murals have become a dominant and dynamic form of symbolic expression throughout Northern Ireland. Nearly 2,000 murals have been documented since the 1970's. These murals often reflect the division between and expressions of two political groups: Republicans and Loyalists. To fully understand the conflict and tension in Northern Ireland, one must journey down what would seem to be a an enormously long timeline. A good starting point for considering the history and motivation for these murals would be shortly after WWII ended. After WWII, Northern Ireland remained apart of the United Kingdom and did not follow The Republic of Ireland in independence. This is primarily due to the large population of Anglo-Irish that still feel ties to Great Britain. Aside from the long turbulent history of Ireland and the United Kingdom, this creation of a separate N. Ireland only fueled ancient wounds (as well as creating new problems) and made tensions escalate (Troubles p.1).

Like previously stated, Northern Ireland is essentially made up of two communities. The nationalist community consists of people who are more loyal to Ireland, desire a "United Ireland" (where N. Ireland secedes from the United Kingdom), and are predominately Roman Catholic and Republicans. The unionist community consists of people who feel a certain loyalty or connection to the United Kingdom and therefore wish to remain a part of it. This group has many Anglo-Irish Protestants and Loyalists. The tensions between these two groups escalated in a period called The Troubles. The Troubles lasted primarily between the late 1960's and 1998. During this time, reoccurring acts of intense violence sparked between the loyalists and unionists. Over three decades, around 3,200 people were killed. Much of the violence was incurred by paramilitary group campaigns, such as the Provisional Irish Republican Army (IRA) 1996-1997. The IRA intended to "rid" Ireland of British rule and unify Ireland into one state (Troubles 2).

The heated conflict lasted until 1998, when an uneasy treaty was signed: Belfast Agreement or "Good Friday Agreement". This agreement solidified N. Ireland as a part of the UK. Much happened constitutionally in both Irelands and England that helped to ease tension. One of the most important things is that people who are born in Northern Ireland automatically have dual citizenship with Ireland and the UK (or can choose one or the other). The clash between Catholics and Protestants is not merely a battle over religion but rather one of identity. Identity is an issue that still prominent in Northern Ireland today. Despite the cease fires and the disbanding of the IRA (in 2005), political and ethnic tensions still can run high. An example of this is the youth riots in Ardoyne in 2009.



Murals can be seen all over Ardoyne as well.



For a further exploration of Key Issues in N. Ireland click HERE

Neil Jarman discusses, in his article "Painting Landscapes: The Place of Murals in the Symbolic Construction of Urban Space", the murals that can be found throughout the working class estates in Belfast. He talks about the symbolic content of images, "they are always open to multiple interpretations, but as artifacts in a public space they are also open to multiple forms of use, re-use and abuse. As images they always have had a functionality: as propaganda, as rhetoric, as ideological and symbolic markers etc...While on one level it is primarily the image that is being used and transformed, on another level it is the physical artifact, fixed in space, which is the subject of activity; taken still further it is the public space in which the artifact is sited that is changed" (Jarman p.2). These murals are more that just visual displays of art, but they also act as artifacts. When viewing these murals as artifacts, they seem to be created to be seen at specific locations. Jarman also says, "...an extension of their significance is generated by a semiotic dynamic which involves the images taking meaning from their location and the location in turn having a differing significance because of the paintings" (Jarman p.2). Murals in Northern Ireland (in this case, Belfast) can be simultaneously used for multiple purposes.

Murals can be used or seen as territorial indicators and boundary markers. For example, the symbolism and content of these murals can indicate wether or not a community is predominately Catholic or Protestant. Subsequently, this could also indicate a communal political ideology (Republicans, Loyalists). Sometimes the murals will indicate political propaganda while at the same time acting as a warning sign and create fear for the opposition. Not only do the murals function as such, but as act as reminder of past events (for example, Bloody Sunday). They also cater to what happened in each specific location. They act as memorials to fallen soldiers and civilians (many being of fallen IRA members). The murals help to define political and cultural parameters throughout the country. They reinforce the cultural boundaries and differences between the two opposing struggles for identity. Starting in the early 1900s, it was mostly nationalists who painted these murals. In the 1960's, however, civil right inequalities began to be challenged and unionists began painting them as well. As Jarman describes, "As ideological and political arguments turned into sectarian violence and outright warfare, Catholic areas in Derry and Belfast were enclosed behind barricades. As the forces of the state were excluded, people began to exert control over their own areas" (Jarman p.4)




Here is a link to a site explain some of the symbolism that can be found in the murals:

Unionist and Loyalist
Nationalist and Republican

Jarman also talks about how these murals function even on an international scale. Not only do they serve multiple purposes for local communities and for the nation as a whole, but also project messages at the rest of the world. "The power of murals have meant that they have become a more self-conscious means by which to propagandise to a much wider public, while still primarily aimed at a local audience. For the global media, these remain little more than relatively simple symbols of the Troubles and of paramilitary violence" (Jarman p.7). The murals also are a component of the economy in terms of tourism. Although Northern Ireland markets itself with little to no emphasis on conflict, the murals act as a seductive romanticized depiction of it...thus attracting tourists to the region. Jarman states it as an attraction to a culture of war. The murals are situated on parade routes and are often placed throughout the city as a means of guiding tourists to explore and see it in a new light. Here is an example of a commercial for tourism...promoting recreation.



When these murals are seen as both images (art) or as artifacts, their meaning becomes very versatile and they simultaneously serve multiple purposes. When the paintings location is taken into consideration, it can clearly be seen that the murals are site specific. They can be used in memorializing the past of fallen soldiers or civilians. They also work as an active history lesson in keeping the memory of past events alive; teaching many lessons. They also serve as boundary markers and an expression of communal politics. They can even be seen as a way to attract tourists to a country that has been previously engulfed in a culture of war. These murals' power of signifying and versatility resonates from the local communities out to the rest of the world.

Works Cited:

The Troubles. Available Online: http://www.guardian.co.uk/Northern_Ireland/flash/0,6189,344683,00.html


Jarman, Neil. Painting Landscapes: The Place of Murals in the Symbolic Construction of Urban Space

Available Online: http://cain.ulst.ac.uk/bibdbs/murals/jarman.htm


FINAL PROJECT:

For my final project I was thinking of exploring traditional and modern Irish music. I was thinking of learning an Irish reel and also exploring how some lyrics of modern Irish songs reflect the history and conflict of the current times. I would also incorporate some of the novels we've read and maybe write songs or lyrics to songs about them...and how they relate together.

My second idea is to adapt Carmilla into a film or play script. I would be very careful what dialogue, themes and elements of the story I would incorporate. I would primarily focus on certain psychological elements like we read in the Enigmatic Signifier.


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